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The Contemporary Museum – Makiki Heights
2411 Makiki Heights Drive, Honolulu, HI 96822
Main: (808) 526-1322; Exhibition Info: 526-0232; Café Reservations: 523-3362

PRESS RELEASE

For Immediate Release July 28, 2009   

Contact: Charlie Aldinger, Director of Museum Advancement;
Ph: (808) 237-5231; Fax: (808) 536-5970; E-mail: caldinger@tcmhi.org
Web Site: http://www.tcmhi.org
Twitter: TCMHonolulu  Facebook: TCMHI

Famed Contemporary Dancers Perform at TCM
Dance Workshop in September


The Contemporary Museum will present a performance of contemporary improvisatory dance, Infinite Transparency, by internationally renowned Japanese dancer Shizuno Nasu and Hawaii dancer Karen Masaki on September 12 at 2 p.m.  The performance is free to the public with museum entry through the generous sponsorship of James and Reiko Brandon, Joanne Shigekane, Thayer Piano Co., Ltd., Hisako Wada, Julie Kimura Walters, and Riley Jaschke.  The dance will be performed in the galleries of the exhibition, Yoshihiro Suda, a hyper-realistic minimalist display of hand-carved, hand-painted botanicals by Japanese artist Yoshihiro Suda.

Nasu and Masaki will also present a dance workshop at TCM, Dance for Body and Mind, for interested students at any level, from beginner to advanced.  This workshop includes warm-up exercises that are based on Hara Tanden Chi energy via the elements.  Participants will experience Nasu's unique movement approach to balancing mind and body, centering self, and creating energy through physical expression. The class will be taught by Nasu and Masaki in the downstairs gallery of The Contemporary Museum on Sunday, September 13, from 10:30 a.m. to 12 Noon. Registration for the workshop is limited.  To register contact Quala-Lynn at qlyoung@tcmhi.org or  (808) 237-5217.  Workshop fee is $15 per person.

Karen Masaki studied piano and violin in her youth and began her dance training at Oberlin College.  Her mother instilled in Masaki a deep and abiding love for the arts and continues to be an inspirational model for a life lived fully and vibrantly in service to the arts.

Masaki holds a Master of Fine Arts degree in dance from the University of Hawai'i, has performed in dance companies in Philadelphia, New York and Honolulu, taught at private studios and community colleges in Honolulu, and toured the islands with her solo dances.  Masaki's love of dance improvisation grew exponentially as a result of several workshops with famed dancer and trailblazer Daniel Nagrin.

Recently relocated to Volcano, Masaki co-teaches a dance class at East Hawai'i Cultural Center (EHCC) with Nasu.  The two have performed at several venues on the Big Island and in Japan and will be performing at EHCC in December 2009 with Butoh dancer and former Honolulu resident, Maureen Freehill.

From 1992-2003, Masaki was the Program Officer for Culture & Arts at Hawai'i Community Foundation.  In addition to her dance work, she is now a partner in the consulting firm The Cultural+Planning Group, specializing in organizational assessments and strategic planning for nonprofit organizations.  Masaki is also a member of the Board of Directors of East Hawai'i Cultural Council.

Shizuno Nasu was born in Osaka, Japan.  Her parents enrolled her in classical ballet class at three after she suffered a terrible burn on her left arm. At seven, she was chosen as an exchange student with the Bolshoi Ballet.  She debuted professionally at age 19. She also studied ballet, tap, jazz, and other Western dance techniques at the Osaka Institute of Art.  By age 35, running three studios with more than 100 students Nasu had little time for her own creative work and expression.  She closed her studios and moved to a remote village in the mountains of Niigata, Northern Japan.  She trekked six miles to buy groceries each day, in the heat of summer and in the deep snows of winter.

She then moved to Paris where she performed at the Japanese Embassy and UNESCO Hall, exhibiting her self-created, very personal dance form. An art director challenged her to expand and find a dance style that reflected her heritage.  He said, "Your dance is not unique. Your spirit is Japanese, but your techniques are all Western. Your body isn't expressing what you want it to. I'd like to see you dance what can only be danced by someone Japanese."

Nasu had never studied Japanese dance. She embarked on a quest to find a new stylistic voice, which eventually led her to study old Japanese mythological dances. She began exploring a Japanese primitive story-telling style of dance usually performed by Shinto priests, known as kagura.  Following a period of rigorous training, she embarked on a pilgrimage, performing her new art form in Shinto and Buddhist temples in every prefecture of Japan for eight years. This experience she credits with deepening her skill and spirit of mai, the dance.

Nasu's moving dance style, influenced by her classical Western training and  Asian dance heritage, appeals to many levels at once-physical, mental, spiritual, and emotional. Described by some as both extremely beautiful and joyously sensitive, Nasu's dance movements are based on Hara Tanden chi energy. This Asian movement technique increases concentration and enlightens the spirit through relaxation and graceful body movements based on f'u (wind), sui (water) and ka (fire).

Nasu has performed her improvisational dance, which she calls "Spiral Vision," in New York City, as well as Greece, India, South Korea, and China.  Her new partnership with Masaki has inspired their personal approach that merges Earth and Spirit, drawing on their years of training in dance, meditation and improvisation.

For more information about Nasu's and Masaki's dance performance, Infinite Transparency, and workshop at The Contemporary Museum, visit our website at www.tcmhi.org; Exhibition Info: (808) 526-0232; Reception Desk: (808) 526-1322. Third Thursdays are free entry days!   Click HERE for more details.

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General Information:

The Contemporary Museum - Makiki Heights

Entry: One-Day Membership Pass - $8 Adults; $6 Students & Seniors; Members & Children 12 and under are free. (Cost of a one-day pass may be applied to the cost of an annual membership on the day of issue.) It is always free to visit the Museum Shop or The Contemporary Café. Third Thursdays are free entry days! Museum and Shop Hours: Tuesday-Saturday from 10 a.m. to 4 p.m.; Sunday from Noon to 4 p.m.; Closed Mondays and major holidays. The Contemporary Café Hours: Tuesday-Saturday from 11:30 a.m. to 2:30 p.m.; Sunday from Noon to 2:30 p.m. Café Reservations: (808) 523-3362. Docent Tours: Tuesday-Sunday at 1:30 p.m. Cades Library Hours: Tuesday & Thursday from 3 to 5 p.m.; or by special appointment. Parking: Free. On The Bus: #15 to Makiki Heights Drive-stops in front of the Museum. Address: 2411 Maikiki Heights Drive, Honolulu, HI 96822. Exhibitions/Events Line: (808) 526-0232. Tours/Administration: (808) 526-1322; Web Site: www.tcmhi.org. Membership: (808) 237-5219.

The Contemporary Museum at First Hawaiian Center: Entry: Free. Hours: Monday-Thursday from 8:30 a.m. to 4 p.m.; Friday from 8:30 a.m. to 6 p.m.; Closed on weekends and banking holidays; First Fridays: 7-9 p.m. Docent Tours: Third Thursdays at Noon. Parking: TCM Members enjoy validated parking at FHC. Address: 999 Bishop Street, Honolulu, HI 96813.

 For all press inquiries, please contact Charlie Aldinger, Director of Museum Advancement, at (808)237-5231
or via e-mail at caldinger@tcmhi.org.

 


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