Home

     • Currently on View
     • Upcoming Exhibitions
     • Past Exhibitions - 2006
       • H.C. Westerman
       • Personal Affects
       • Alimatuan
     • Past Exhibitions - 2005
     • Past Exhibitions - 2004
     • Past Exhibitions - 2003
     • Past Exhibitions - 2002
     • Past Exhibitions - 2001



The Jazz Singer, c. 1953
Oil on canvas with artist’s painted framed
42 x 32 inches
Collection of John and Mary Pappajohn, Des Moines, IA
©Estate of H. C. Westermann/Licensed by VAGA, New York
Photograph courtesy of George Adams Gallery, New York

Trophy for a Gasoline Apollo, 1961
Wood, Hydrostone, enamel and plastic bumpers
32 3/8 x 8 1⁄2 x 6 1⁄4 inches
Collection of Jane Root and Ruth Root, Los Angeles, CA
©Estate of H. C. Westermann/Licensed by VAGA, New York
Photograph by Jamie Isberner

Battle of Little Big Horn, 1959
Oil on panel, 15 x 15 inches
Collection of Ann Janss, Los Angeles, CA
©Estate of H. C. Westermann/Licensed by VAGA, New York
Photograph by Brian Forrest © 2005 The Contemporary Museum, Honolulu

Beautiful Isle of Somewhere, 1953
Gesso and oil on wood panel
19 1⁄2 x 35 1⁄4 inches
The David and Alfred Smart Museum of Art,
University of Chicago, H. C. Westermann
Study Collection, Gift of Martha Westermann Renner
©Estate of H. C. Westermann/Licensed by VAGA,
New York Photograph © 2006 courtesy of The David and
Alfred Smart Museum of Art, the University of Chicago

A Soldier’s Dream, 1955
Maple, stained glass, brass and string
29 1⁄4 x 15 x 11 1⁄4 inches
Collection of Sharon and Thurston Twigg-Smith, Honolulu, HI
©Estate of H. C. Westermann/Licensed by VAGA, New York
Photograph by Jamie Isberber

AM, c. 1955
Watercolor on paper
12 x 18 inches
Courtesy of Joel Leenaars and Dandridge Hering, Naples, FL. ©Estate of H.C. Westermann/Licensed by VAGA, New York. Photograph courtesy of Joel Leenaars


Dreaming of a Speech Without Words: The Paintings and Early Objects of H. C. Westermann

The Contemporary Museum, Honolulu
August 25 – November 19, 2006

Dreaming of a Speech Without Words: The Paintings and Early Objects of H. C. Westermann is the first exhibition of paintings by H. C. Westermann (1922 - 1981) since before the artist gained critical attention in the late 1950s. The only other public exhibit of Westermann’s early paintings was staged in 1954 at the now defunct Mandel Brothers department store, formerly on State Street in Chicago.

Dreaming of a Speech Without Words also includes early painted objects, sculptures, and drawings, many of which have never been shown publicly. Through a dialogue between and among these early works, the exhibition attempts to shed light on Westermann’s enthusiasm for painting in the beginning of the 1950s and the implications this had for his development as an artist best known at the end of the decade for his finely crafted wooden sculptures.

Raised in Hollywood, California, Westermann served as a gunner aboard the USS Enterprise in World War II (beginning his service in Hawai’i at Pearl Harbor) and as a combat infantryman in the Korean War. Between the wars, he studied art at The School of the Art Institute of Chicago, a school first suggested to him by a shipmate aboard the Enterprise. After World War II, Westermann studied vocational arts – commercial and industrial design and drafting – but changed his course of study to fine art after returning from Korea. In a 1954 letter to his sister Martha, Westermann confided that he “had something to say” and over time that “something” had a great deal to do with the traumatic experiences he had survived in both wars. Works in the exhibition reveal the artist’s self exploration and rapid artistic development against the backdrop of late modernism in the United States.

The exhibition will travel to the Montclair Art Museum, Montclair, New Jersey (February 10 – May 27, 2007), Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania (June 30 – October 21, 2007) and the Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, Stanford, California (November 21, 2007 – March 2, 2008), and is accompanied by a full-color catalog with essays by Michael Rooks, Dennis Adrian, and David McCarthy and postscript by Mark Booth, Aaron Curry, Chris Johanson, Ryan Johnson, John Tanji Koga, Jason Meadows, Jim Nutt, Erik Parker, Ruth Root, and Ed Ruscha.

Dreaming of a Speech Without Words: The Paintings and Early Objects of H. C. Westermann was organized by The Contemporary Museum, Honolulu and curated by Michael Rooks. Its presentation was made possible through the generous support of Mary and Roy Cullen, Ruth P. Horwich, and Sharon and Thurston Twigg-Smith. In-kind support has been provided by ResortQuest Hawaii, formerly Aston Hotels and Resorts, and Horizon Lines, LLC.

This exhibition is dedicated to Walter Hopps.

 

 

 


  TALK BACK  |   SITE MAP  |   PRIVACY POLICY  |   TERMS & CONDITIONS OF USE