The Jazz Singer, c. 1953
Oil on canvas with artist’s painted framed
42 x 32 inches
Collection of John and Mary Pappajohn, Des Moines, IA
©Estate of H. C. Westermann/Licensed by VAGA, New York
Photograph courtesy of George Adams Gallery, New York
Trophy
for a Gasoline Apollo, 1961
Wood, Hydrostone, enamel and plastic bumpers
32 3/8 x 8 1⁄2 x 6 1⁄4 inches
Collection of Jane Root and Ruth Root, Los Angeles, CA
©Estate of H. C. Westermann/Licensed by VAGA, New York
Photograph by Jamie Isberner
Battle
of Little Big Horn, 1959
Oil on panel, 15 x 15 inches
Collection of Ann Janss, Los Angeles, CA
©Estate of H. C. Westermann/Licensed by VAGA, New York
Photograph by Brian Forrest © 2005 The Contemporary Museum,
Honolulu
Beautiful
Isle of Somewhere, 1953
Gesso and oil on wood panel
19 1⁄2 x 35 1⁄4 inches
The David and Alfred Smart Museum of Art,
University of Chicago, H. C. Westermann
Study Collection, Gift of Martha Westermann Renner
©Estate of H. C. Westermann/Licensed by VAGA,
New York Photograph © 2006 courtesy of The David and
Alfred Smart Museum of Art, the University of Chicago
A
Soldier’s Dream, 1955
Maple, stained glass, brass and string
29 1⁄4 x 15 x 11 1⁄4 inches
Collection of Sharon and Thurston Twigg-Smith, Honolulu, HI
©Estate of H. C. Westermann/Licensed by VAGA, New York
Photograph by Jamie Isberber
AM,
c. 1955
Watercolor on paper
12 x 18 inches
Courtesy of Joel Leenaars and Dandridge Hering, Naples, FL. ©Estate
of H.C. Westermann/Licensed by VAGA, New York. Photograph courtesy
of Joel Leenaars
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Dreaming of a Speech Without Words: The Paintings
and Early Objects of H. C. Westermann
The Contemporary Museum, Honolulu
August 25 – November 19, 2006
Dreaming of a Speech Without Words: The Paintings and
Early Objects of H. C. Westermann is the first exhibition of paintings
by H. C. Westermann (1922 - 1981) since before the artist gained
critical attention in the late 1950s. The only other public exhibit
of Westermann’s early paintings was staged in 1954 at the
now defunct Mandel Brothers department store, formerly on State
Street in Chicago.
Dreaming of a Speech Without Words also includes early painted
objects, sculptures, and drawings, many of which have never been
shown publicly. Through a dialogue between and among these early
works, the exhibition attempts to shed light on Westermann’s
enthusiasm for painting in the beginning of the 1950s and the implications
this had for his development as an artist best known at the end
of the decade for his finely crafted wooden sculptures.
Raised in Hollywood, California, Westermann served as a gunner
aboard the USS Enterprise in World War II (beginning his service
in Hawai’i at Pearl Harbor) and as a combat infantryman in
the Korean War. Between the wars, he studied art at The School of
the Art Institute of Chicago, a school first suggested to him by
a shipmate aboard the Enterprise. After World War II, Westermann
studied vocational arts – commercial and industrial design
and drafting – but changed his course of study to fine art
after returning from Korea. In a 1954 letter to his sister Martha,
Westermann confided that he “had something to say” and
over time that “something” had a great deal to do with
the traumatic experiences he had survived in both wars. Works in
the exhibition reveal the artist’s self exploration and rapid
artistic development against the backdrop of late modernism in the
United States.
The exhibition will travel to the Montclair Art Museum, Montclair,
New Jersey (February 10 – May 27, 2007), Pennsylvania Academy
of the Fine Arts, Philadelphia, Pennsylvania (June 30 – October
21, 2007) and the Iris & B. Gerald Cantor Center for Visual
Arts, Stanford University, Stanford, California (November 21, 2007
– March 2, 2008), and is accompanied by a full-color catalog
with essays by Michael Rooks, Dennis Adrian, and David McCarthy
and postscript by Mark Booth, Aaron Curry, Chris Johanson, Ryan
Johnson, John Tanji Koga, Jason Meadows, Jim Nutt, Erik Parker,
Ruth Root, and Ed Ruscha.
Dreaming of a Speech Without Words: The Paintings and
Early Objects of H. C. Westermann was organized by The Contemporary
Museum, Honolulu and curated by Michael Rooks. Its presentation
was made possible through the generous support of Mary and Roy Cullen,
Ruth P. Horwich, and Sharon and Thurston Twigg-Smith. In-kind support
has been provided by ResortQuest Hawaii, formerly Aston Hotels and
Resorts, and Horizon Lines, LLC.
This exhibition is dedicated to Walter Hopps.
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