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Alicia Ajolo

Sharon Doughtie
Kindred Spirits, 2005
Norfolk Island Pine, burned and dyed
3 3⁄4 x 11 1⁄2 x 11 1⁄2 inches
Photo: Pat Kramer


Sharon Doughtie
Kindred Spirits, 2005
Norfolk Island Pine, burned and dyed
3 3⁄4 x 11 1⁄2 x 11 1⁄2 inches
Photo: Pat Kramer


William Ichinose
Trees, 2006
Douglas Fir with incised and painted lines
1 1/5 x 11 3/10 x 11 3/10 inches


William Ichinose
Trees, 2006
Douglas Fir with incised and painted lines
1 1/5 x 11 3/10 x 11 3/10 inches



Pattern and Form: Wood Works by Sharon Doughtie
and William Ichinose

February 9, 2006 - May 29, 2007


This exhibition presents the work of two Oahu wood artists, Sharon Doughtie and William Ichinose. They are paired in this exhibition for their use of surface texture, color and unique carving techniques.


Sharon Doughtie began her woodworking career at an early age as an apprentice in a cabinet-making shop. During her short time there she was able to see the lathe in operation and knew she wanted to work with this piece of equipment. She left wood for many years to pursue music and singing. Leaving a potentially promising career to try woodturning again, Doughtie met her husband Pat Kramer, a noted woodworker who bought Doughtie her first lathe, and since then she has created her signature heavily- textured vessels with rich velvety black surfaces. Influenced by her Irish and Scottish backgrounds, Doughtie incorporates the design and patterns of Celtic knots, a series of undulating and interlocking lines, incised on wood ground; Doughtie then textures and blackens the areas around the incising so that the patterns are highlighted in the natural wood against the dark opaque ground.


William Ichinose also has a background that hasn’t always involved wood. He began his studies in the sciences and then moved on to study ceramics at the University of Hawaii-Manoa with Claude Horan. He and Horan were the founding members of Ceramics Hawaii. It wasn’t until 2000 that Ichinose began turning wood. His unusual forms, distinctive feet and hand coloring are hallmarks of work. He usually works in maple for its ease of turning, as well as it’s porous nature to accept water-based pigment or dyes in vibrant yellow, red or green. Thin coats of color and varnish allow the grain of the wood to show through. Another technique that Ichinose uses involves incising the wood with a knife to make intricate patterns of circles or lines on the surfaces of his works.

Exhibitions are supported by First Hawaiian Bank and ResortQuest Hawaii, formerly Aston Hotels and Resorts

 

 

 


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